Abstract

Batik is a process of attaching wax onto a fabric to block color from entering it. This process is done using a tool called canting. There are two kind of canting, writing canting and stamp canting, that is respectively use to make written batik and stamp batik . Stamp canting was made to accelerate the process of making batik fabric, while maintaining the standard of batik itself. It was made using copper that is stack in certain way and burned on a pile of charcoal to make sure the adhesive material ( patri) melt. This research aims to accelerate the process of soldering stamp canting using engineered oven instead of using charcoal. the oven engineered in this research uses Liquid Petroleum Gas (LPG) as its main source of heat. It was made not only to accelerates the process, but also to make sure the consistency of the heat along the process of burning which will directly affecting the end product of stamp canting. The method used in this research includes: literature studies, field studies, oven engineering, making canting samples, test, and reporting. The result of this research shows that the oven is able to work and melt the standardized patri on stamp canting.

Highlights

  • Batik is a cultural masterpiece of Indonesia

  • National Standard of Indonesia (SNI), SNI 0239-2014 stated that batik is a handicraft resulted from blocked coloring process using hot malam as the color blocker that is attached using canting tulis and or canting cap to create certain meaningful motifs (BSN, 2014)

  • Since UNESCO declared batik as the Intangible Cultural Heritage of Humanity of Indonesia, batik became a tool of diplomacy

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Summary

Introduction

Batik is a cultural masterpiece of Indonesia. It was a traditional way to create motifs on a fabric. National Standard of Indonesia (SNI), SNI 0239-2014 stated that batik is a handicraft resulted from blocked coloring process using hot malam (batik wax) as the color blocker that is attached using canting tulis (writing canting) and or canting cap (stamp canting) to create certain meaningful motifs (BSN, 2014). Zahidi (Zahidi, 2017) in his paper stated that Indonesian government promoting batik as a soft power instrument throughout Southeast Asia. This momentum has been beneficial for a lot of batik SME(s) in Indonesia. In this case, the challenge was to match the demand of the ever-growing market for batik

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