Abstract

ABSTRACT This article explores the narrative and memory patterns that underlie the evolution of city biography as a genre in the Indian literary context. The late 1970s and early 1980s witnessed a ‘spatial turn’, emphasising the ‘re-assertion of space’ across disciplines. This paradigmatic shift was characterised by a renewed focus on the concept of space in various fields of study. Besides, the publication of Nora’s lieux de mémoire marked the second wave of memory studies, and enabled the world to remember and reconstruct the national history tied to ‘sites’ of memory. However, in the Global South, especially in India, the memory lens did not affirm national history. This study delves into common thematic tropes within city biographies, contending that they offer narratives of resistance to mainstream city writings. Biographers draw on autobiographical memory, shaping narratives of reconstruction, marginality, and absence/presence as everyday forms of resistance. Furthermore, by analysing Perpetual City: A Short Biography of Delhi (2013), the article posits ‘superposition’ alongside the prevalent way of approaching the city as palimpsest. This textual exploration shifts the focus from the city’s physical or represented aspects to the city biographer’s simultaneous awareness of several historical layers, presenting Delhi in a continuum marked by both ruptures and continuities.

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