Abstract
The imaginary of drawing is enlarged when we visit the architectural drawings graphically. Touring the modern home garden through its graphic visit helps to reveal the ideas expressed in the delimitation of its forms. Starting in the sinuous curves of Burle Marx, witnessing the static landscapes of Le Corbusier and the views framed by Mies van der Rohe, being introduced in the designs of Garrett Eckbo and then traveling across the different adaptations of nature in the drawings of Erskine, Neutra and Coderch will be the first steps in a process of a fascinating, long and lonely discovery. All these frames of garden suggest ways of interpreting the tangible reality that it is represented with the strokes of the drawing. This methodology invites anyone to read in the design its original and future desires, which as single words, they want to teach the meaning of the lines that shape it.
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