Abstract

The article proposes to delve deeper in the idea of space in Le Corbusier’s Toward an Architecture (1923), focalizing in its connections with the past and urban design. When in his book Le Corbusier presents his “trois rappels a messieurs les architectes” – volume, surface and plan (in its broad sense) – he outlines the keys to his idea of space. It proves imperative to use Le Corbusier’s original term “Rappel” as its word play transcends any possible translation. Space is therefore defined as a Rappel (call) to architects, but also as a Rappel (reminder, evocation) to multiple theorizations and ideas that have traversed architecture throughout history. Le Corbusier’s argument understands the directions of space as an extension, showing his affiliation with a tradition of French thinking that, in architecture, subscribes since Viollet le Duc to the Cartesian Method, in which spatiality is understood – from the Barroque – both Outside and Inside. It is proven that, in clear continuity with French architectural tradition and drawing inspiration from the ideas of Auguste Choisy, Le Corbusier defines with the mass and the void a space in which “the Outside is always an Inside”. Thus, it is demonstrated that not only the links with the past but also the material resources for the definition of such space are common in different scales, from the definition of an inside up to the urban design.

Highlights

  • The article proposes to delve deeper in the idea of space in Le Corbusier’s Toward an Architecture (1923), considering it a starting point to move forward in the reflection about its connections with the past and urban design

  • Le Corbusier’s interpretation of the plan as an indication of the architectural, being the architectural what emerges when the spectator is faced with wisely arranged plastic facts (Quetglas 2004: 13–19) we differ from those interpretations that understand regulating lines as the elements that give precision to the plan

  • “trois rappels a messieurs les architects” in Towards an Architecture where Le Corbusier develops the keys to his idea of space, despite not using the actual term; a space which includes both Architecture and urban design

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Summary

Introduction

The article proposes to delve deeper in the idea of space in Le Corbusier’s Toward an Architecture (1923), considering it a starting point to move forward in the reflection about its connections with the past and urban design. As stated by Ernst Cassirer; for Descartes: “The same that all the numbers sprout from an exactly determine operation, which is numbering, all the special knowledge are obtained and can only be obtained by means of the “method”; and as the path leads to the limited, the direction of progress appears to be traced beforehand in a precise and unequivocal manner, without shutting ourselves down to the infinite fulfillment of experience, we must strive to master it by means of a fixed and predetermined plan and sketch of thought” Another idea of Descartes, associated with the notion of extension, helps us understand the spatiality presented by Le Corbusier. To organize and rhythmize this motion will be the aim of the plan

The third rappel
These ideas regarding the promenade appear in Le
By way of conclusion
Daniela ALEJANDRA CATTANEO

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