Abstract
ABSTRACT This article delves into the research and creative process involved in shaping Brazil's representation at the Exhibition of Countries and Regions during the 15th Prague Quadrennial of Performance Design and Space. This collective effort aimed to integrate artists and researchers from across Brazil, resonating with the concept of crossroads, where differences converge and coexist. The curatorial team, attuned to the richness and plurality of Brazilian sonic landscapes, endeavoured to expand representativeness and diversity of perspectives and foster meaningful exchanges. The process aimed to address systemic and historical invisibilities, daring cross-cutting perspectives and dynamics, thus showcasing the wisdom embedded in the diverse manifestations of Brazilian identity. Exploring the creative process for a sound installation and seven sound offerings, alongside the site-specific relationship with the venue, exhibition design, and audience reception, the article elucidates the connections with Brazilian and Latin American authors and thoughts.
Published Version
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