Abstract
This article demonstrates how Jesús Campos García's 1995 play A ciegas: auto sacro de realismo inverosímil o de la irrealidad verosímil (Aproximadamente) uses the auto sacramental as a vehicle to express content that undermines the genre's original objectives. The play dramatizes the sense of disappointment and dissatisfaction associated with the transition to democracy both in contemporary Spanish history and in the Spanish theater industry. Campos empties the auto of its authoritative ideologies, deregulating outdated doctrines while perpetuating Spain's deeply rooted theatrical traditions.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Paper version not known
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
