Abstract
The influence of the Dantesque work, particularly his masterpiece The Divin comedy, in the composition of Juan Maldonado’s Somnium, has been pointed out by critics on a couple of occasions, but it has not been deepened to its full extent. This is what we propose to carry out in this work, in order to unravel the peculiar idiosyncrasies of this little work, which is located between two eras and two poetics: the medieval and the modern. The link between this work and that of Thomas More, a close friend of Erasmus, gives rise to considerations around the erasmism of Maldonado.
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