Abstract
ABSTRACT In recent years, there has been a notable increase in representations of transgender individuals in Spanish popular culture, particularly in written and visual media. This study analyzes Antonio Mercero’s crime fiction novel El final del hombre (2017) in which transgender life functions as a metaphor for modern and progressive Spain, highlighting its successes and limitations regarding gender justice and representation. While the novel introduces a transgender detective as a prominent figure in mainstream fiction, it also perpetuates certain stereotypes that it aims to challenge. Drawing on the theory of trans maladjustment by Cameron Awkward-Rich, here I explore how El final del hombre deviates from traditional narrative structures and delves into the experiences that define maladjustment. As the novel navigates various regulatory mechanisms and patriarchal institutions, such as the family, the healthcare system and the police, it also underscores the ongoing challenges in moving beyond limited portrayals and expanding the possibilities of transgender identities and experiences.
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