Abstract
Abstract This work explores how Sebastián de Horozco constructs throughout his poetry a multiform authorial image far from his biographical circumstances to satirise the most relevant social and literary characters of his time. The analysis of some relevant poems in this sense will show that Horozco is an essential link in the development of satire and eroticism as an authorial strategy, which will reach full of vitality to voices as multifaceted as those of Luis de Góngora or Francisco de Quevedo.
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