“Ein Berliner” in America: Directing Approaches in Context

Abstract

The Berlin director Heinz-Uwe Haus has been staging productions in the United States for nearly three decades, beginning with a production of The Caucasian Chalk Circle at Villanova University in 1980. This article focuses on two Brechtian principles that Haus has employed in his University of Delaware and Villanova productions: first, what he characterizes as “physicalized” acting and, second, a sense of theatre as a community event. Physicalization permits the actors to “get in touch with” their bodies and use them differently and more fully in performance. In Haus's Oedipus Rex at Villanova, the chorus, a diverse group of actors ranging in age from 18 to 70, became the central character. Through the use of a chorus in several of his Delaware productions and other alienation techniques (an African American Grusha, a woman playing Ui), Haus has consistently moved his audiences to see the relevance of theatre to the contemporary world.