Effects of ozone on the various digital print technologies: Photographs and documents

Abstract

The harmful effects of ozone on inkjet photographs have been well documented. This project expands on that research by performing ozone tests on a greater variety of digital prints including colour electrophotographic and dye sublimation. The sensitivities of these materials are compared to traditionally printed materials (black-and-white electrophotographic, colour photographic and offset lithographic) to determine if the digital prints require special care practices. In general, the digital prints were more sensitive to ozone than traditional prints. Dye inkjet prints were more sensitive to fade than pigment inkjet, though pigment was not immune. The dye sublimation, colour electrophotographic (dry and liquid toner), and traditional print systems were relatively resistant to ozone. Text-based documents were evaluated in addition to photographic images, since little work has been done to determine if the type of object (image or text) has an impact on its sensitivity to ozone. The results showed that documents can be more resistant to ozone than photographs even when created using the same printer and inks. It is recommended that cultural heritage institutions not expose their porous-coated, dye-based inkjet photos to open air for extended periods of time. Other inkjet prints should be monitored for early signs of change.