Abstract
Edoardo Tresoldi and the heteronomy of architecture
Highlights
The Heteronomy of architecture «is understood as the condition to be pursued if one sets one’s goal of producing buildings that belong to one’s own time, to the complex interweaving of values and needs that characterise it, to the place where they arise»1
Heteronomy in architecture allows us to break the boundaries still linked to the concept of the obsolete scientific sector
One of the people who recently successfully pursued the road of the Heteronomy of architecture and art through a borderline path is Edoardo Tresoldi, an Italian sculptor who «investigates the poetics of the dialogue between man and landscape using architectural language as an expressive tool and key to reading space»
Summary
The Heteronomy of architecture «is understood as the condition to be pursued if one sets one’s goal of producing buildings that belong to one’s own time, to the complex interweaving of values and needs that characterise it, to the place where they arise»1. On this proposal of continuity Tresoldi argues that when an artist no longer works for references, but for necessity of expression, it becomes fascinating to imagine that both he and Terragni, as well as Bertoja, felt the need to use the column element and transparency to tell their essential concept linked to their own time and perception.
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