Abstract

Edipo all’alba is the first “Greek” tragedy by Pasolini: it was composed during the third year of his university education, but never made public until its posthumous collection in his complete works (most likely owing to the homoerotic content). Recent editions have proved to be damaging to the original because of several mistakes in copying and, as a result, to the precise comprehension of this composite play. On the basis of the last textual edition, just realised for the birth centenary, this paper tries to update the literature on Edipo all’alba shedding new light primarily on its ancient sources (Sophocles, Statius), which has been the least studied subject of the play.

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