Abstract

This study aims to explore the human-nature relationship and its environmental impact in Richard Powers’s The Overstory through Greg Garrad’s ecocritical framework, with a particular focus on the concept of Dwelling. Garrad’s theory distinguishes between Georgic, which represents a damaging interaction with nature, and Ecological Indian, which embodies a nurturing approach. This research examines how the novel portrays these contrasting relationships, illustrating how the characters’ connections with nature either contribute to environmental harm or foster preservation. By analyzing the novel through Garrad’s theoretical lens, the study reveals how Powers’s characters confront and mitigate the adverse effects of individuals and corporations on the environment, showcasing the intricate dynamics of human-nature interactions in the context of environmental stewardship. The analysis highlights how the novel’s narrative strategies and character arcs emphasize the critical role of empathy and ecological consciousness in addressing environmental challenges. Furthermore, it underscores the potential for literature to inspire real-world environmental action by reflecting on the complexities of human engagement with the natural world. Through this exploration, the study contributes to a deeper understanding of how literary works can shape and influence environmental attitudes and behaviors.

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