Abstract
The paper explores poststructural figures of identity via a reading of a collection of texts by and about a Victorian maidservant, Hannah Cullwick. Drawing on Donna Haraway's figure of the trickster or shape changer and on the theorizing of the ''subaltern'' subject in postcolonial writing, the paper challenges readings of Hannah and her life that offer her up as an exemplary figure of suffering or heroic womanhood. Instead, it is proposed that Hannah can be seen as an ambivalent and transgressive figure of difference and in - between - ness . The paper gestures towards some implications for the handling of first-person narratives in qualitative research. The ''Hannah Cullwick'' texts include her diaries and those of her secret lover and, later, husband, an eminent barrister, together with the commentaries of their respective editors. Reference is also made to a photographic essay and to contemporary scholarly works about Hannah and her life.
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