Abstract

At the 2005 Josephine Roberts’ Memorial Panel, sponsored by the Renaissance English Text Society, Jonathan Gibson’s paper “Anne Southwell and the Construction of MS Folger V.b.198” introduced a considerable amount of new, important, and difficult-to-synthesise information about this miscellany and its composition, both physical and authorial. At one point during the paper, a brief aside about the difficulty of rendering information of this sort — information about the way in which physical and authorial space interacted in the manuscript — introduced a few slides containing a newer, visual way of considering a fair bit of complex information of this sort. For several of us in the room at the time, Gibson’s aside about the difficulty associated with conveying such representation (and his solution), resonated significantly, and well beyond. The work we present in this paper has its roots in this resonance and, indeed, will eventually discuss one result of our experimentation in the conveyance of such information in the course of our exploration of the Devonshire MS (BL Add Ms 17492). This paper appears in three parts: one along the lines of traditional work in the field of textually-oriented Renaissance literary studies; one that will merge this traditional approach with that of the computing humanist, with discussion of the visualization of the scribal interaction data we present; and one, as an addendum, that provides the technical details of our experimentation, for those who might wish to reproduce or duplicate elements of it.

Highlights

  • As part of a joint pilot project with Iter and Medieval and Renaissance Texts and Studies (MRTS), we are working on print and electronic scholarly editions of the Devonshire Manuscript (BL Add MS 17492) that will be published concurrently

  • The electronic edition of the Devonshire Manuscript offers a valuable opportunity to evaluate the applicability and reliability of digital visualization tools, since the results of our electronic analysis can be measured against existing knowledge derived by traditional means.[2]

  • The networking images generated with PieSpy and Timeline visually manifest the links between the various individuals engaging with the Devonshire Manuscript materials as well as highlight salient features of those interactions

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Summary

Introduction

Miscellanies and commonplace books are inherently social documents, and the task of mapping out the complex social interactions involved in the processes of manuscript composition and transmission—both material and authorial—is one that traditional scholarship has found difficult to facilitate. As part of a joint pilot project with Iter and Medieval and Renaissance Texts and Studies (MRTS), we are working on print and electronic scholarly editions of the Devonshire Manuscript (BL Add MS 17492) that will be published concurrently. The electronic edition of the Devonshire Manuscript offers a valuable opportunity to evaluate the applicability and reliability of digital visualization tools, since the results of our electronic analysis can be measured against existing knowledge derived by traditional means.[2] It is our hope that this undertaking will allow us to be more confident in the results that these tools can readily deliver when we encounter an unfamiliar object. Computing XML computing interface design lateral projects loyalists nineteenth century ontology page, Ege, manuscript, leaf, script, Beauvais Missal, digital reconstruction, fragment pedagogy project development technology text analysis text visualization virtual reality

Significance
People and Networks
Overview
Shared Apprenticeship
Social Valuation
Personal Validation
Conclusion
Selected Indications of Non-Professional Scribal
Originals
Further Examples of Personal Interaction via Scribal Annotation
Using IRC Analysis Tools on an Encoded Text
Full Text
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