Abstract

That the Drancy transit and internment camp—the main camp from which Jews were deported from France—is currently inhabited, having reverted to its pre-war name ‘La Muette’ and initial function as a housing estate at the end of the 1940s, remains little-known. As a result of this multi-layered history, the site is deeply ambivalent, being both haunted and inhabited. Through a theoretical framework informed by psychogeography, this article brings to light the concentrationary presence that is layered onto the space of everyday life at the site of Drancy–La Muette and investigates the possibility of resisting the resulting spatial politics of dehumanisation. Through a close reading of Alexandre Lacroix’s novel La Muette (2017) and its spatial poetics, this article argues that it is by elaborating new ways of seeing, whereby the interpenetration of past and present, the visible and the invisible, comes to the fore, that the traumatic space of Drancy–La Muette may open up. This, in turn, allows for the circulation of affective resonances between the built environment and the individual, which resist the concentrationary logic.

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