Abstract
Although opera outreach has gathered momentum over the last few years, opera is still often overlooked as a potent multisensory tool in dramatherapy, perhaps due to its association predominantly with music and music therapy. Using drama-related case studies, this article wants to breathe new life into the discourse of opera therapy initiated by music therapist Emma O’Brien in 2006. It further ties in with a discourse around dramatherapy work for adults with learning disabilities. The article traces how inclusive engagement techniques inspired by Francisco Cilea’s opera L’Arlesiana can be rendered useful within a dramatherapeutic context. The project was facilitated as part of Opera Holland Park’s accessibility programme in 2019. By sharpening consciousness for the distinct contributions to opera therapy from individual disciplines other than music therapy, the article hopes to put opera back on the map as a medium also for other creative therapies to explore.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.