Drama as Science Documentary: The Ethics of Making and ‘Banning’ The Black Pool

Abstract

This article explores The Black Pool, a docudrama which was made for the BBC’s science documentary series Horizon (BBC2, 1964–present) but never transmitted. Aiming to provide a case history of paranoid schizophrenia, Horizon commissioned Alan Plater to dramatise an ‘autobiographical document’ by a doctor who murdered three children in 1972. Its makers debated the most appropriate form and style, raising issues which are relevant to current documentary scholarship in ethics and affect. Similar issues were raised by BBC executives who decided not to broadcast the completed programme. This article draws from a range of sources, including a new interview with director Simon Campbell-Jones, previously unseen archival documents and a viewing of the untransmitted programme, not merely to uncover a ‘banning’ but to reflect on ethical and affective questions in current scholarship and to address the largely undiscussed nature of science documentary and science docudrama.