Abstract

Interviews and observations of first year teachers in the northeastern United States were used to construct a comic. The comic communicates the excitement, fears, and competing demands of a beginning teacher. The dialogue and setting are presented as surrealist to help the reader gain an understanding of the affective realities that the teachers expressed when describing their early teaching experiences. This approach allows for the multiple dimensions of the teachers’ lived experiences to be experienced in ways that a traditional text does not allow. The work takes a critical look at the transition of beginning teachers into their careers and is meant to trouble notions of standardization in both teacher preparation and curriculum design. This arts-based approach recognizes performance as both a method of investigation and representation (Worthen, 1998). Given that public education is often a prominent part of societal discourse, this modality allows the reader the opportunity to make meaning of the data by experiencing the words on the page (Leavy, 2009). The illustrations allow the reader to experience the words differently than traditional text. In this way, dramatizing the data is a form of critical pedagogy (Denzin, 2006).

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