Abstract
In this article, I trace Safavid paintings depicting women's imagery online and explore the possibility of digitally mapping Safavid (1501–1736) paintings featuring women on publicly accessible platforms. Along with the practice of online mapping that led me to digital museums, I investigated the descriptions presented on three digitized paintings on different platforms to address the questions, “Where and how can Safavid paintings be digitally encountered” and “In light of the theoretical developments in the scholarship on pre-modern discourses of Safavid gender and sexuality, how do the descriptions of Safavid paintings reflect gender discourses online?” By following Safavid paintings of women online and probing the textual descriptions attached to them, and using netnographic research methods to document my experience and encounter with the digitized Safavid paintings, I explore whether the online descriptions accompanying the images could contribute to the making of decolonial knowledge about non-Western gender discourses.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
