Abstract
The Catalan stage director and playwright Adrià Gual and the British director Edward Gordon Craig are two essential figures in understanding the different models for renovating the European theatre at the end of the nineteenth century and beginnings of the twentieth, with both taking on board symbolist aesthetics and the Wagnerian premise of theatre as a total art. In this article we will explore the points of connection between both creators based on an analysis of elements such as lighting, stage architecture, and the concept of the actor.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
