Abstract

The paper deals with the presence of women in house-museum exhibitions on the example of the Władysław Broniewski Museum in Warsaw. The framework of the text is the proces of reating a museum intervention entitled “Domowniczki”, highlighting three women associated with Broniewski’s house – Wanda Broniewska, Joanna (Anka) Broniewska-Kozicka and Marianna Milewska. Based on this process, I analyse the (in)presence of women in house-museum exhibitions and aim at a way to reclaim their presence by opening a dialogue with the exhibition.

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