Abstract
The present paper is framed within current debates about the need to rethink citizenship, especially with respect to the question of whether there is a legitimate place for emotion in the public sphere. Emotion has not traditionally been seen as a key to good citizenship, and there has been a fair amount of aversion among media critics towards the “emotionalization” of the public sphere and spectacular outbursts of public emotion. This paper looks at the coverage of the murders of Dutch filmmaker and journalist Theo van Gogh in 2004 and Dutch politician Pim Fortuyn in 2002, and shows that the issue is not simply whether emotions should be allowed in the public sphere or not, but rather how they are articulated and how they achieve different understandings of citizenship.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.