Abstract
The five poems translated here are part of A bandeja de Salomé [Salome’s tray], Brazilian poet Adriane Garcia’s unpublished book. These poems let know some of its most important characteristics: irony, subtlety and intertextuality when the author rewrites different stories of the Holy Bible. For example, as the reader will notice, Garcia’s critical vision emphasizes on public roles of women in those stories. Therefore, publishing these poems in bilingual, Garcia’s work increases the scene of Brazilian poetry and literature in United States.
Highlights
The five poems translated here are part of A bandeja de Salomé [Salome’s tray], Brazilian poet Adriane Garcia’s unpublished book
Garcia's critical vision emphasizes on public roles of women
publishing these poems in bilingual, Garcia's work increases the scene of Brazilian poetry and literature in the United States
Summary
Selección[2] y traducción de Manuel Barrós[3] Pontificia Universidad Católica del Perú. The five poems translated here are part of A bandeja de Salomé [Salome’s tray], Brazilian poet Adriane Garcia’s unpublished book. These poems let us know some of its most important characteristics: irony, subtlety and intertextuality when the author rewrites different stories of the Holy Bible. Este pai cujo filho pergunta: Papai, se as brasas e a lenha estão aqui, Onde está o cordeiro?. Sabe-se, não é uma criança Mas ainda assim sobe com a brasa Ainda assim a lenha nos ombros. Este filho que volta a ser criança E se assusta
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