Dlaczego Małgorzata poszukuje Mistrza? Krótka historia w trzech aktach

Abstract

The purpose of this article is to analyze and interpret a volume of poetry by Czech-Polish author Renata Putzlacher-Buchtova. The writer does not hide her fondness for the works of the Russian writer Michail Bulgakov, and it is to The Master and Margarita that she refers in a collection of as many as fifty-seven poems. Significantly, the poet changes her literary perspective and places a woman in the central plane of events: Margaret. She reinterprets her character, creating a “proud hag Margot”, rather than a “God-guilty creature, Gretchen”. Thus, the literary allusion became for the poet a form of “renewal” (or…, “reconstruction”) of the ingrained patterns in literary culture. The article is divided into three acts, consisting of a theoretical introduction, which introduces the reader (in a condensed manner) to the most important feminist theories. The second act is devoted entirely to the poems of the Czech-Polish author. The third, on the other hand, is comparative in nature, in which Virginia Woolf’s Own Room is the “new light” of comparison.