Abstract
On the 30th anniversary of Ángeles Negros (1994) by Juan Pablo Sutherland, this article seeks to evaluate the relevance of the sexual dissidence category, which has recently gained a foothold in the public sphere for the literary-aesthetic analysis of the author’s production. Grindermanías (2021) will be analyzed on the assumption that the text critically elaborates the representation of what Cano (2019) calls “sexual dissidence academic policy”. The reading is undertaken on three levels of analysis: distinction between theory and practice, generic hybridization, and the interrogation of academic ethos based on the queer intellectual’s autobiographical representation. We conclude that sexual dissidence applied to aesthetic-literary analysis operates contextually, through the tactical disruption of textual conventions of referentiality and genericity sexually signified.
Published Version
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