Abstract
The article shows that poetics as a musicological category, poetics of a composer, largely by analogy with the poetics of a writer, poet, covers the whole complex of individual philosophical attitudes and artistic techniques demanded by the creator to embody the idea and create a work of art. Understood as a set of specific methods and substantive principles, priorities and grounds, according to which the text is organized and shaped, poetics appears in the unity of the semantic and stylistic aspects of creativity. Different traditions are analyzed concerning consideration of the category of poetics and its interpretation in many literary studies, which created a solid basis for the application of this concept in musicology, that in many respects follows literature. At the same time, in comparison with other scientific branches of art studies, precisely in musicology a wide range of its application and more in-depth development is presented.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
