Abstract

The character occupies a prominent position in the novel, and is considered the backbone of the story, and it came in the dictionary of terms criticism of the novel in defining it as every participant in the events of the story. As for those who do not participate in the event, they do not belong to the characters but rather part of the description. From Aristotle who did not attach importance to itself and followed him in that with Rob who neglected personality as a self-standing component, and relied on its action in the achievement and promised it the basis of the artistic work. The character in the romantic novel got rid of this Aristotelian view of her. This coincided with the emergence of the bourgeois class in Europe, as it developed from depicting kings and emperors as heroes in novels to dealing with ordinary individuals. Opening words: The main character, Secondary character, And marginal profile, The external dimension, The psychological dimension, The social dimension, Realistic novel.

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