Abstract
Abstract The digitization of the US Patent and Trademark Office’s (USPTO) backfile of six million patents undertaken between 1951 and 2001 was a five-decade struggle, featuring several media transitions from print and microfilm to CD-ROMs and, finally, the Web. This mass digitization project is on a similar scale to Google Books and the Internet Archive, but it is rarely discussed within critical digitization scholarship or for its significance as a tool for knowledge production. In this article, I focus on the USPTO’s patent document’s digital and physical material form and how the current paradigm of access and storage of the digital backfile emerged. Through this case study, I build upon Ian Milligan’s distinction between the ‘text’ and ‘platform’ layers of a digitization project to demonstrate how historical decisions regarding format and metadata continue to influence how users retrieve and interpret documents, such as patents, online.
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