Abstract
We asked Dietmar Offenhuber for an interview upon investigating his recent works, Staubmarke (Dust mark) and Ozone Tattoo, which together suggest an artist with an insightful eye for injecting particulate data engagingly into art pieces that spur awareness in an audience. We were impressed by his deep considerations on the potential for scientific and informatics data sets to offer the potential for, and foster, wider discussions and collaborations.
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