Abstract

This article tries to explore a literary text, Alger le cri of Samir Toumi to analyze enunciative indices. It aims to identify the meanings and social functions of these configurations. We are approaching the structure and discursive processes, as well as the protests of the narrative instance by using the conceptual apparatus of the analysis of the speech. Proposed peculiarities seem important for understanding some messages. We proceed in three stages to identify the referential and thematic functions, which are spatial, temporal and relative to the person. The text shows that the relationship between fictional aesthetics and referential aesthetics leads to patrimonialisation.

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