Development of the language and linguocolor picture of the world in the adyghe linguoculture

Abstract

In modern linguistics, topical issues of constructing a linguistic color picture and the functioning of color lexemes in the linguistic picture of the world and, in particular, artistic discourse, are being actively developed. Artistic discourse is understood as a communication system, which is a synthesis of specific linguistic forms, information about reality, reflected in a text that is distinguished by its pragmatic content. The pragmatic level of artistic discourse is represented by an individual set of characteristic linguistic means. The most specific linguistic means are coloronyms that represent evaluative and emotional personal meanings that have a certain influencing potential. Color painting in artistic discourse is the most important expressive means, carries a deeply ideological, artistic, and emotional load. Language units with color semantics or coloronyms contribute not only to the creation of visual images but also carry additional information of emotional and expressive properties. The object of the research is the linguistic units denoting color, functioning in the language, mythopoetics, paremias, and literature in the Adyghe language. The subject of the research is the peculiarities of the manifestation and functioning of color painting in the Adyghe language and Adyghe literature, as well as the identification of the specifics of the coloristic embodiment of images in the works of Adyghe authors. The material of the research is based on the linguistic representations of color designations that form the «black-white-red» triad.