Abstract

Historically, many canvas paintings were infused with wax–resin mixtures that have discolored over time, distorting the aesthetics of the work, limiting treatment options, and introducing unstable materials into the object. Removal of the wax–resin is often desirable, but before works of art can be treated, a protocol to evaluate the efficacy of the treatment must be established. A mock-up painting was infused with a known amount of a wax–resin mixture made from beeswax and dammar; this material was then extracted through six intervals of exposure to solvent-loaded and dry sheets of Evolon® CR, a non-woven textile with a high sorbent capacity. Samples from the Evolon® CR sheets from each extraction round were analyzed using thermal separation probe gas chromatography–mass spectrometry (TSP-GC/MS). Normalization of peak areas related to beeswax and dammar to those of Evolon® CR revealed the relative amount of wax and resin removed throughout the extraction. The data show that, under these test conditions, the beeswax and dammar appear to be extracted with the same relative efficiency, information that cannot be provided through UV-induced visible fluorescence imaging of the Evolon® CR sheets or weight data alone, but which is critical to capture as it has implications for treatment success and the long-term stability of an artwork.

Full Text
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