Abstract
AbstractIn the tradition of both Cicero and Hume, this paper explores the nature of God in dialogic form. Set at the tomb of Thomas Aquinas, in a church that is now a museum, the dialogue focuses on the central question of divine hiddenness, offering a novel alternative to both the atheistic interpretation of hiddenness in terms of divine amoral aloofness and the theistic account of hiddenness in terms of human indolence. Phenomenologically speaking, God the creator, in order to be God the creator, must be hidden to creatures. Divine hiddenness is, therefore, natural and does not necessarily call into question the moral status of God or of humans.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
