Abstract
The purpose of this study is to locate in concrete terms the true identity of Indian English Fiction (IEF). Most studies conducted on this subject are focussed on the linguistic/formalistic aspects. Also, many novels belonging to IEF category represent Indian identity by virtue of representation of apparent cultural traits like attitudes, relationships, norms, practices, traditions, problems, etc., or socio-political problems. I argue that these two dimensions project the Indian identity only partially. There is the covert part at the base of the superstructure that is the most important element but has not been explored seriously by most writers due to ignorance or disinclination. This core is reflected in Indian philosophy, values and worldview. While explaining various ideas – both supportive as well as critical of Indianness, several novels have been cited to make the point clear which makes this study unique and promises to be helpful to future researchers.
Highlights
The issue of identity of Indian English fiction or of the overarching genre of Indian English Literature has been debated at many fora even though no consensus has been reached as to what constitutes Indianness or Indian ethos
The fact is that the plurality and complexity of Indian linguistic landscape where English happens to be second language for most people even as it is admittedly the language of the powerful elite with the upwardly mobile middle class in toe – both eager to adopt it as L1, at least for their offspring -- makes the issue of Indianness or identity of Indian English Literature rather significant
Since the predominant form of Indian English Literature is fiction, the issue of identity has been studied in terms of Indian English Fiction (IEF) in this paper
Summary
The issue of identity of Indian English fiction or of the overarching genre of Indian English Literature ( called Indian Writing in English) has been debated at many fora even though no consensus has been reached as to what constitutes Indianness or Indian ethos. People have even wondered as to why this is necessary, considering we never discuss the Britishness of English literature or the Americanness of American literature.”[1] Could it be diffidence that impels Indians to search for an identity of Indian English literature, they ask. Since the predominant form of Indian English Literature is fiction, the issue of identity has been studied in terms of Indian English Fiction (IEF) in this paper. The first issue to be sorted out with regard to the Indianness of Indian English Fiction centres around whom to include in this category. Whether it is the fiction produced by Indians living in India or elsewhere too? Naik’s formula: “Strictly speaking, Indian English literature may be defined as literature written originally in English by authors Indian by birth, ancestry or nationality” (2010: 2)
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