Abstract
The study examines the critical point of view and research methodology that was applied by Francisco Ruiz Ramon (1930-2015) to analyze Spanish Theater, from its excellent Historia del teatro espanol (1967) to his latest research focused on Pedro Calderon de la Barca (1600-1681) and, especially, in its review as a contemporary classic in the history of European theater. To do it, the study pays particular attention to Ruiz Ramon’s biographical and academic circumstances and the critical currents that inspired its «Calderon reading» model, which contributed decisively in the renewal of Golden Age Theather historiography
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