Abstract

Recent scholarship on Jacques Derrida’s work has turned toward his political and institutional engagements. I further this body of research by outlining a twofold problematic regarding the issue of “parliament.” Its first dimension concerns what I call a poli-technic of lying, which denotes that politically impactful techniques of lying demand we follow the lacunae of the polis, the phenomenality of an international public sphere and technologies of public circulation, and the relationship between the construction of categories of “peoples,” “nations,” “borders,” and their “authorities” with practices of force or violence. In the following, I consider Derrida’s relation to the International Parliament of Writers (IPW) as a supplementary institution from which examination of this problematic might be situated in light of alternative traditions predicated on hospitality, and on sheltering the other as a practice inextricable from a “frank concept of truth.” I also consider the emergent possibilities this approach opens for responding to immediate conditions – attacks on the lives of writers around the world, accelerating global displacement, intensifying border closures, and unchecked police enforcement. I look toward the political unit Derrida identifies as crucial for these actions: the city as a space for frank and open speech – the ville franche.

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