Abstract
While the term “archive” conventionally evokes the storage of physical materials and documents, scholars such as Jacques Derrida, Michel Foucault, and Ann Laura Stoler have called attention to the archive’s subjective qualities. Contrary to a definition that encompasses institutional collections and preservation, the “archive” may be better understood as a production of knowledge, meaning, and memory that exposes processes of transcultural negotiations, epistemic violence, and political engagement. Rethinking the archives of migration, then, involves asking questions that take us beyond “objectivity” or even materiality. TRANSIT 13.2 offers new frameworks for asking questions about archival practices: Who archives, and what merits archivization? How have such forms of archival engagement taken place in literary, artistic, digital, and geographical spaces? What are the stakes of archival misuse and misappropriation, and what are the parameters for making such assessments?
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