Abstract
It’s a habit, of intention or form, for musical historical figures to be viewed through the sheen of heroism and extraordinariness, leading to a flattening of character. However, in some cases that sheen of heroism invites us to probe deeper, leading to the recovery of a life and achievements that not only proves the fidelity of that extraordinary label, but highlights aspects of that life that should be better known. Such is the case with Marian Anderson (1897–1993).
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