Abstract

The reading of the four novels that constitute the cycle of Nane Oca (1992-2019) allows to understand the fusion of story and tale realised by Giuliano Scabia: the fabulous adventures of the main character, Giovanni, alternate with the iteration of the opening scene where (through the character of Guido il Puliero) the process of narration starts. Listeners (and, in perspective, readers) join the narrator and gradually become collective authors, in the tradition of the folk storytelling.

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