Abstract

The Iraqi currency, in addition to its functional role as a medium of exchange, bears artistic elements that give its surfaces aesthetic value. The Arabic script, with its calligraphic forms, contributes to the creation of a readable message that can be considered an effective communication to the recipient. In addition, the Arabic script apossesses an aesthetic value. Therefore, the function of the Arabic script on currency is not limited to reading. Rather, its semantic and compositional roles extend beyond, due to its artistic and sculptural interventions through its use on the surface of the currency. This is achieved through an implementation technique that is similar in its organizational and technical aspects to bas-relief.

Full Text
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