Decoding Identity Crisis and Rejection of Social Norms: A Study of Girish Karnad’s Hayavadana

Abstract

The present research article aims at analysing the complex narrative of Girish Karnad’s play Hayavadana. The play emphasizes the exploration of women’s identity, autonomy, and resistance against patriarchal norms. It is celebrated for blending of mythical elements with contemporary themes, particularly focusing on women’s pursuit of self-identity and emancipation. The play transcends cultural and geographical boundaries, positioning the play within a global discourse on femininity and societal expectations. It intricately weaves the story of Padmini, a woman caught in a web of desire and societal constraints, highlighting the challenges she faces in seeking fulfillment and autonomy. Through the lens of Padmini’s character, the study explores themes of desire, gender roles, and the quest for a unified self in the face of traditional expectations. Central to the play and the study is the portrayal of the goddess Kali, who represents the subversion of traditional gender roles and the assertion of feminine power. Kali’s intervention in the narrative serves as a pivotal moment for Padmini, allowing her to confront and navigate the constraints imposed by societal norms and expectations. The research highlights Karnad’s use of traditional narratives and characters to critique and challenge societal norms, particularly those related to gender and identity. The play discusses the global contexts. The present study underscores the play’s relevance to ongoing discussions about gender, power, and the legitimacy of women’s aspirations. Karnad’s work emerges as a transformative piece that not only questions established narratives but also proposes a reimagining of women’s roles in society, advocating for a space where women can assert their desires and identity free from patriarchal limitations.