Abstract
This research article study with a qualitative methodology de-construction, resizing and decentralization of the object of aesthetics of Jose Marti. In the corpus of his complete works there is not only a poetic art, but also a capital Aesthetics. The reconstruction of the same allows to go beyond the partial studies on the essays of art and literature, poetry, literary criticism, art and politics made until now, because his contribution goes beyond his time, anticipating some theses of contemporary and current aesthetics. The argumental exposition of this article shows the conjunction of theory and artistic practice in Marti, including his poetic creation, evaluation of different arts and epistemological aspects.
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