Abstract

This paper enquires into the significance and potential of inclusive dance through the working process of a dance piece developed by a mixed team of professional dancers and dancers with disabilities. It is a self-reflective piece on what it means to live with a disability. The interplays between the artistic work and reality that emerged during rehearsals disrupted categories such as reality and fiction, process and performance, difference and normality. It analyses the mechanisms of reality that are put to work, and the aesthetic strategies that are used on the basis of examples from practice.

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