Abstract
Dance and feminism share the epistemological understanding of the body as a site for agency, potential for change, and knowledge creation. This clinical case illustrates how a joint, indigenous dance and what are referred to as complementary and alternative medicine in the United States can enact a decolonizing psychotherapy framework for co-creating a space to access and embody cultural knowledge. Gimoo, a practice founded on traditional Korean dance and traditional Korean medicine, attends to an intergenerational trauma and resilience response, han, in a Korean immigrant woman to the United States. An indigenous dance that is inherently cultural can be a resource to empower a person to be an agent of their own liberation through support and solidarity, even in a virtual setting, and to expand Western notions of what healing might entail.
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