Abstract
Análise do conto “Camila – Memórias duma viagem”, de Casimiro de Abreu, visando a demonstrar que um procedimento fundamental do texto – a condução das ações da narrativa para o âmbito íntimo da personagem – estabelece um distanciamento crítico em relação aos modelos folhetinescos, com os quais a prosa romântica brasileira tem sido recorrentemente confundida.
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