CURRENT TRENDS IN THE TRANSFORMATION OF ART MUSEUMS INTO THE LEADING SOCIO-CULTURAL CENTERS OF NATIONAL SIGNIFICANCE

Abstract

The article is devoted to the issues of complex analysis of ideas of transformation of National Art Museums (galleries) into multifunctional formations in which the necessary modernization of interaction of 3 main components dominates: architecture of museum object, exposition design and spectator.
 Research in recent decades to find out how positive social participation in cultural, artistic and museum projects is for the individual and society has shown that such participation promotes a sense of dignity, competence, awareness and understanding of existing problems in society. It is the architecture of the museum that sets the visitor in anticipation of exclusivity, special cognitive impressions from the exhibition in an unusual building.
 It is the latest electronic media, after a long search for the defining components of museum complexes, museologists, architects conclude that there is an inseparable fundamental triad of the object, namely: the architecture of the building, the exhibition and the visitor.
 Analysis and systematization of methods of forming the architecture of museum buildings, exhibition space and functional saturation of museum complexes with a focus on modern and future requirements of urban communities is the key to optimal transformation of art museums into art centers that provoke viewers to participate in cultural and creative process and interactive recreation.