Abstract

ABSTRACT For South African author Mongane Wally Serote, art and activism can only operate in tandem. In the 1970s and 1980s, Serote took leadership roles in revolutionary and anti-apartheid organizations and movements, and in his writing and in these activist roles he mobilizes the one as a means to achieve the ends of the other. In his novel To Every Birth Its Blood, he uses narrative to experiment with chronology and perspective, and explore the physical spaces of township, exile, and state in ways that challenge the apartheid regime’s authority to regulate the lives of South Africans. Serote deploys the novel form against apartheid’s policies, social organization, and legacy. Through this work, he indicts the regime for human rights abuses, and imagines a new world order shaped by inclusive forms of community that carry forward the fight for equal rights.

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