Abstract
The study of cultural space involves the consideration of various areas arising from reasons of heterogeneity and various internal intentions. One example is the space of historical memory. Differences in subjective and corporate cultural spaces are noted, as well as peculiarities in various spheres of life. The concept of heterotopia is analyzed, which, in turn, is accompanied by heterochrony. A hypothesis is proposed about the structure of the content of the cultural space, consisting of meanings, values, images, texts and bodies that interact in several ways and create a variety of processes in the cultural space. The question is raised about the multiplicity of centers in which the intentions of gathering and scattering originate, creating the polarity of space.
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